While writing my recent novel, What is the Chance?, I needed to understand how music publishing worked in the 1960’s, both in the US and the UK. Everyone has heard stories of unscrupulous producers/agents/publishers/moguls ripping off unsuspecting artists. After digging into the details, I can easily see how that happened.

Here’s a piece that gives a good view of the process – from a lawyer with a bit of wit.

Source: Long and Winding Road: Music Royalties – Ober|Kaler